What I found particularly interesting about Guetta's art, was that he really didn't make any of it. He had the basic ideas, but ultimately it was his employees who really made the art. I also don't think he was really getting the message of street art, an art born out of rebellion.
What we discussed briefly in class, was the question of this being an actual documentary or a mockumentary? Or rather another one of Bansky's art pieces, exposing someone who "creates" street art, but doesn't embrace it's ultimate meaning. It was really amusing, Bansky's remarks at the end of the film, how snarky he was towards Guetta. This all somewhat implied the mockery vibe the film sends.
The infamously anonymous Bansky
Thierry Guetta
(and his ridiculous facial hair)
Image Sources:
http://www.newyorker.com/images/2007/05/14/p233/070514_r16216b_p233.jpg
http://filmdrunk.uproxx.com/wp-content/uploads/2011/02/THIERRY-GUETTA-MID-SHOT-copy.jpg
http://graphics8.nytimes.com/images/2010/04/14/arts/14banksy_CA0/14banksy_CA0-articleLarge.jpg
http://postersandprints.files.wordpress.com/2009/07/mr-brainwash-tomato-spray1.jpg?w=461&h=461
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